My Mosaic History

In 2007, I was living in Charlottesville, Virginia and developed a hankering to explore a new artistic outlet of some kind. While walking through a Michael’s craft store, I spotted a DIY mosaic candle kit, purchased it, took it home, worked on it and was immediately hooked. Bells and whistles sounded in my brain. Ding ding ding! We had a winner!
I proceeded to buy books on how to mosaic and to amass different kinds of glass tiles. My first pieces done without a kit were clunky, awkward mirrors. Using handmade Italian glass called smalti, I made my 1st real fine art work, an image of a lighthouse. I found it impossible, backbreaking, exacting work. I got 3/4’s of the way through and felt so frustrated with it that I shelved it for 6 months and went back to working on mirrors. I told my then-husband that I thought it was bad and was going to chuck it, but he talked me into finishing it. So I completed it and wound up selling it a couple years later for around several hundred dollars. A vocation was born.
My 1st fine art mosaic, “Pigeon Point Lighthouse.”
For the next 6 years, mosaic art became my main pursuit and passion. I enjoyed the glass; love lots of bold, exuberant color in my pieces.
In 2009 I began exhibiting around Charlottesville. During that time I went through a cordial divorce then moved back to my native SoCal in 2010. While living in my hometown of Huntington Beach, California, I continued pursuing mosaic art full-time. I exhibited in a number of art walks, street festivals, restaurants and in an exhibition at the Huntington Beach Art Center.
Finding the rent too darn high and wanting to stretch out my savings, I moved to the SoCal mountain town of Big Bear Lake, California the following year. I’d vacationed there many times over the course of my life and wanted to see if I had it in me to live there full-time, to be a real mountain woman. I leased a rustic, hundred-year old, 2 bedroom cabin on the outskirts of town and turned one of the rooms into a studio. There, at 7000 feet, I hoped the peace and quiet and idyllic surroundings would spur me on to artistic excellence. Instead, I crashed and burned. Gosh, but you wouldn’t believe how much work is involved in maintaining an old cabin in the woods, especially one with no garbage disposal, no central heating, no dishwasher, no washing machine, etc. From having to keep the fireplace going non-stop after the snows came to having to shovel it around the perimeter of the house to having to strain for breath at that altitude to schlepping laundry back and forth to the laundromat to blah blah blah…I had nothing left over to make art! And I was lonely. Many of the homes nearby me sat vacant most of the time, were vacation rentals, mainly occupied on weekends. Most shopkeepers in town lived “off the hill,” as they’d say, down in San Bernardino. Needless to say, I got very little done, mosaic-wise, in the year that I lived in Big Bear. I had to admit to myself that it wasn’t working out, I didn’t have what it took to be a mountain woman, at least not by myself in that old house. So I pulled up stakes and moved to Henderson, Nevada, to thaw out.
There in Henderson, I had a ridiculously ginormous walk-in closet, 1/ 2 of which I converted into a studio. I managed to pump out a few mosaics and get back into exhibiting for awhile. But something was wrong. I was feeling uninspired. My ideas had dried up. The work I was turning out was meh at best. I figured, “why fight it?” and got a full-time office job instead. I spent the next four years on mosaic hiatus, turning my artistic sights towards photographing the Nevada desert, publishing my poetry and performing the odd gig now and again in Las Vegas.
In June of 2016, personal circumstances forced me to leave lovely Nevada and move in with my mom in her house in Torrance, California. With her blessing, I converted the old pool room into a studio. Having a nice, big dedicated space in which to cut glass inspired me once again. I’d also inherited boxes and boxes of beautiful stained-glass from my late grandma, herself a stained-glass artist. Ideas started burbling up. The passion rekindled. I’m back in the mosaic game once again.
It’s important to me to love what I do. I feel that it shows in my work if the heart isn’t there. Art is about emotion. And if there’s no emotion there behind it, then it becomes disingenuous and lackluster. I’m not interested in phoning it in, in anything I do in my life.
You can see my work for yourself over at my Etsy shop or my Facebook fan page.
“Blooms” Stained-glass mosaic by Angel La Canfora

My Great Southern Excursion of 2010

Daily Logs from My Post-Divorce, Solo Road Trip from Virginia to Tennessee


When I think back to some of my happiest memories of recent years, my road trip from Virginia to Nashville and Memphis always comes to mind. I’d kept a daily log on my excursion and had originally published them to my now-defunct personal website. I’m republishing it here to this blog, even though it’s 6 years old, for your reading pleasure. I feel fortunate I was able to take the trip when I did, as our country feels a little less friendly, a little more hostile and frightened, than it did back then. I hope you enjoy the trip!

Day OneNovember 11th, Charlottesville to Wytheville

After a brief visit to my one-time hometown of Charlottesville, Virginia to attend to some personal business, I was ready to hit the highway. The morning of my departure loomed gray and wet, as a massive storm had laid siege on the east coast overnight. One hearty breakfast at the Villa on Rte 29 later and I departed, heading west on I-64, up, over and into the Blue Ridge mountains through thick fog and pounding rain. Tractor-trailers, big enough to have their own micro-climate, barreled past either side of me. Up near the turn-off for Skyline Drive, I white-knuckled it as fog engulfed my car. All around me were drivers exhibiting signs of panic, everyone coping with the crazy weather the best way they knew how – one car turned on their emergency flashers, another slowed to near backwardness, another screamed past cockily. After only an hour on the road since departure, I had to grudgingly pull off and take shelter in a Staunton Starbucks, the intensity of the storm too dangerous for my comfort level. I waited out the worst of it, cursing the delay under my breath as I nursed my cappucino.

On Route 11 in Virginia. Photo by Angel La Canfora

Back on the road, through more temperate rain, I drove for a couple hours, south on serpentine Rte 11 before coming to a lunchtime stop in Lexington, home of the Virginia Military Institute. I strode around its historical streets during a break in the rain, taking in the architecture, Stonewall Jackson’s unassuming house among them. I visited the stately grounds of VMI. Autumn had turned the leaves to brilliant reds and oranges. I made my way to the chapel. The only way to view it was by tour guide. I was met by stout blonde a little older than me, who gave me a terse tour of the chapel, apparently ill-at-ease with having to go through the rigamarole of conducting a tour for only one person.

Robert E. Lee outside the VMI. Photo by A. La Canfora

I noted the simplicity of the chapel, gawked at Robert E Lee’s marble sarcophagus (which never, in fact, held his remains). At the tour’s end, my guide pursed her lips and said, “you can continue on downstairs to the crypt, but you seem like you’re in a hurry.” Uh, no, I was enjoying the break from the road. Whatever. Downstairs I took a moment to peer at Lee’s crypt situated behind jail cell bars then emerged back outside into the fresh air of non-judgmental skies.

Arriving in Wytheville, Virginia in late afternoon, I took advantage of another pause in the rain to poke around this tiny town straddling the border of North Carolina. In a stiff, sub-arctic breeze, I maneuvered my shivering, inadequately clad self through the crumbling historic district, gingerly avoiding holes in the sidewalk. A monument to Daniel Boone and an original log tavern dating from the late 1700s provided the highlights on my tour.

Wytheville, Virginia. Photo by A. La Canfora

Chain restaurants abounded in this hamlet off I-81 (your Cracker Barrel, your Shoney’s, etc…) and I’d determined when I’d set out on this trip to avoid chains as much as possible, so I settled on what looked like a non-chainey seafood restaurant near my motel for dinner. The tired coffeeshop decor clued me in that any fish that would grace my plate would most likely have not resembled a fish for sometime. I steered clear of ordering any supposed frozen and boxed fish fillets and since I care about my health and ordered off the “calorie restricted” column. This is what I received, follow along, if you will; a slab of over-baked salmon with about 1/4 cup of melted butter on the side, a bowl overflowing with fuzzy tan slugs, er, hush puppies (fried cornbread), a dinner plate full of steak fries, a salad plate overflowing with shredded cheddar cheese with 2 wedges of tomato and some iceberg lettuce confetti with a side of ranch dressing (their “salad” ….all the fun without the guilt! And few of those pesky nutrients!). I’m pretty good at eyeballing food and guestimating the number of calories and I’d concluded that this meal, the “calorie restricted” meal mind you, was somewhere in the ball park of 2000 calories, perhaps more. They say that an adult female of my size (5’5”) should consume roughly around 1500 calories a day. So here before me was a full day’s worth of food and then some! Ah, the South.

I bedded down for the night in a cheap and cheerful, Indian family run motel called the Budget Host. I’d read rave reviews of it online and it didn’t disappoint. The place was basic but immaculate,the bed surprisingly comfortable. My internet connection in the room was zippier than mine at home, and all for the low, low price of $42 (with your AAA card). My gentle and mannerly hosts made me feel welcome and cared for. I almost regretted having to leave!


Day 2 – Knoxville to Nashville

Rising early the next morning, I made my way through the remnants of the storm on the way to Knoxville, Tennessee. As I drove west on I-40, sudden squalls would give way to sunshine beaming down over rolling hills, making for an interesting game of panic versus leisure driving. Pulling into Knoxville at about noon, I plopped down in a funky coffeehouse where I sipped one of the best cappucino’s I’ve ever had ( ).

Knoxville, Tennessee. Photo by A. La Canfora

I rested beside a window while eavesdropping on a nearby table full of band members, listening to them outline their plans for conquering the local music scene. After my break, I bought some fruit for lunch at a nearby neighborhood market from some chirpy college kids then resumed my trek to Nashville.

 Upon reaching town, there was some confusion, as the directions I’d gotten off Google Earth turned out to be for a hotel by the same name only at the wrong location. After zipping back and forth on the freeway, I finally came to rest at my Comfort Inn on the west side of town. While my room was fine, the location of the hotel itself was swear-word inducing. Nestled amongst the fly-overs of the freeway system and with lots of street construction to boot, getting in and out of the hotel was a stressful task.

I decided to grab dinner that night nearby my hotel. I cracked and ate at a chain restaurant, a place called O’Charley’s, too tired from all the driving to go on the hunt for something with more character. I sat in the bar and was waited on by an attractive 30-something year-old black guy with stud earrings and an outsized personality by the name of Willie. Willie introduced himself, gently took my hand, kissed the top of it and said, “hello, beautiful. Is it just you? Now why would someone like you be dining alone?” I blushed. He was smooth!

Up at dawn the following morning – yes, by myself – I was happy to see the storm had cleared out. I hopped in my trusty silver Ford Focus rental and drove on the freeway, thinking I was heading towards Downtown. I wasn’t and soon found myself heading into more rural territory. I spied a sign indicating that the Natchez Trace Parkway was accessible at the next off-ramp and I giddily exclaimed, “awesome!” I wound up driving a good 15 to 20 miles on its windy, desolate stretch.

Dawn at the Natchez Trace Parkway. Photo by A. La Canfora

Pulling off at an overlook, I stepped out to watch the sun rise over mist-covered hills, the sound of rushing water close by, the air crisp and winter-cold. I marveled that I had this beautiful place and moment all to myself and shot some photos before hunger compelled me back towards the city.

Sunrise at the Natchez Trace Parkway. Photo by A. La Canfora

After breakfast, I headed Downtown and parked near the Ryman Auditorium. I needed to stop at the visitor’s center adjacent to the arena to pick up a Music City pass (you pay a flat rate of $50 and get hassle-free entry into many Nashville attractions).  A huge crowd had lined up outside the arena so I asked what was up. Turned out folks were there to score tickets to benefit concerts being thrown by Garth Brooks for Nashville flood relief. I next wandered across the street to the Country Music Hall of Fame and Museum, arriving just as they were opening. The museum is housed in a wonderful building with one side looking like a stack of records topped with a radio antenna, while the rest is a curvilinear take on a piano keyboard (when seen from the air, the building in its entirety looks like a bass clef). The history of country music is here represented floor-by-floor in the museum, with the top floor being the oldest. I’m not a huge country music fan, but I like the vintage stuff, such as Johnny Cash, Hank Williams or Patsy Cline.

One of Dolly Parton’s old dresses at the museum. Photo by A. La Canfora

I became especially drawn to Williams after learning of how he battled chronic health problems while simultaneously influencing and shaping the course of modern music. As a lifelong musician and songwriter, I choked up, wiping away tears while gazing down at his handwritten lyrics laying there under glass. This was a musician whose influence is so widespread, so pronounced, that you can trace anyone and everyone back to him – one of those early songwriters of such great importance that many musicians today don’t even realize they owe a debt to him. Hank Williams music is like the bottom-most layer of strata at the base of a mountain range. A musical foundation.

After the museum, I pounded the pavement around downtown Nashville, accompanied by the soundtrack of bands already jamming in clubs at 10:30am. I poked around in shops, got some coffee, and made my way down to the river to take in the scenery.

In Nashville. Photo by A. La Canfora
Nashville at night. Photo by A. La Canfora

By 1pm, I’d already put miles on the soles of my shoes and was very tired. All I wanted to do was to curl up in my hotel room for awhile but wanted to check out the Hermitage, president Andrew Jackson’s home, located on the outskirts of town. A lover of American history, I’d read a great bio on him – Andrew Jackson: His Life & Times by HW Brands – and wanted to round out the pictures I’d had in my mind of where he’d spent his life.

Andrew Jackson’s Hermitage. Photo by A. La Canfora

I drove about a 1/2 hour out of town and was able to use my Music City pass to get in. I had to bypass the house tour, as I was pressed for time since I had a show to catch that evening at the Grand Ole Opry. But the grounds were beautiful, the stately trees resplendent in fall color and I was glad I pushed myself to go.

Log cabin on the grounds of the Hermitage. Photo by A. La Canfora

After an hour at the Hermitage I drove back to the hotel to freshen up and shovel some leftover fish into my gob. Then I returned Downtown to the Ryman Auditorium for a 7pm Grand Ole Opry concert.

Ryman Auditorium. Photo by A. La Canfora

I was seated in the back row on the far right side, but still had a great view of the stage. I chatted with an older couple seated beside me. Newly retired teachers Bill and Sue McGowan hailed from Binghamton, New York, and were on a road trip themselves, their final destination being Florida. We joked and gabbed the rest of the evening. As for the show itself, I enjoyed it much more than I thought I would. I’d been hesitant about going, but after polling my Facebook friends and receiving enthusiastic recommendations, had relented and bought a ticket. It was a great experience. I especially adored the bawdy, authenticity of Little Jimmy Dickens. 89 years-old and standing all of 4’11”, a man who was actually an influence on Hank Williams!

Little Jimmy Dickens. Photo by A. La Canfora

A big deal was made that night over the appearance of CNN anchorlady Robin Meade, there to do her first ever G.O.P. performance. It was one of the mercifully few “please shoot me” moments of the night, another being Montgomery Gentry and his testosterone (the man clearly hails from a world where men are men and women are women, and there’d better be no in-between, otherwise yer queer). But another highlight was a fella whose name I didn’t catch, who sang all of one song, but what a song… Bob Dylan’s “Forever Young.” Faithfully rendered, I was thrilled, as I’d had Dylan’s album “Planet Waves” playing in the car during my drive in. I lit up like a Christmas tree and sang along, turning the white-haired heads of the gals in the row in front of me. I didn’t care. I was blissin’ out.


The original entry for Day 3 is missing due to a hard-drive crash. I learned the hard way to always back-up. And then back-up your back-up. But on this day I went to Graceland and that was pretty much it, mainly.  Some pictures survived…

Your host as seen in a cheesy tourist shot.


Day 4 – Memphis

On the shuttle returning from Graceland, I spoke with the gentleman seated next to me, an off-duty bus driver. He told me this was his 12th trip there. He had taken this particular trip, he explained, because he’d acquired a new camera (an Olympus) that would take better indoor shots. He showed me some of his photos and he was right. This made me pout internally about my puny, beat-up Canon Powershot that hates low-light and I made a mental note to eventually buy a better quality camera.

From there I headed to the National Civil Rights Museum. Pulling up to that iconic motel, and stepping out of my car, the quiet felt eerie and somber. I toured the museum, taking careful note of original historical documents such as Rosa Parks police report and legal briefs filed in the fight for equality. I concluded my visit by watching a documentary in the museum’s theater entitled “The Witness,” a powerful film about Martin Luther King and his time in Memphis, ending with his tragic death. The audience and I sniffled, teary-eyed. The film left me feeling shaken so I went to the restroom and hung out for awhile to regain my composure.

At the National Civil Rights Museum. Photo by A. La Canfora

After this intense and emotional morning, I was in need of a little levity. First a pit stop back at the hotel, to scarf down some leftovers. I left the car parked and proceeded to hoof it Downtown for the next few hours, up and down and over, until I’d worn my feet raw. I gawked at great old buildings – examples of Italianate architecture, Beaux Arts, Romanesque, Gothic Revival standing elegantly alongside modern skyscrapers. I meandered through the ornate lobby of the Peabody Hotel and winced at the sight of the sad little ducks in the fountain. I browsed the cool clothes at Lansky’s, spent some time on Beale Street, visited my first juke joint and listened to some world-class blues.

Beale street. Photo by A. La Canfora

Beale Street, seemed to me very similar to Bourbon Street in New Orleans only grittier and less tourist-trappy. There are only a couple blocks given over to clubs and flashy neon signs, so what you’ve got is an intense concentration of music and lights bombarding you from all sides. I am a sensitive thing (the deafening roar of a snail crawling 50 yards away can give me vapors), had lived the last few years of my life in the idyllic university enclave that is Charlottesville, Virginia, population 40,000. About the flashiest thing there would be the IHOP on Rte 29. Charlottesville’s Downtown Mall, along with the Corner, are the party zones, and you just *might* hear someone speak using an outdoor voice. I have a saying; “Virginians use their inside voice outside.” They’re a quiet, non-flashy people. Plus, I’d last lived on the outskirts of town, in a semi-rural environment, with chickens in the yard of my neighbors. I think I’ve hammered my point home. A little stimuli goes a long way with me. But while Beale Street doesn’t have Bourbon’s sleaze – there are no strip joints here – Beale is all about music and most of it, the blues. The more time I spent there, the more I loved it. If I lived in Memphis I’d surely spend much time down on Beale.

After Beale Street, I walked down to the river and around Confederate Park, which features a statue of Jefferson Davis, one-time leader of the Confederacy (to me a little incongruous in this land where civil rights came to its head) then finally heading back across the street to my hotel for a break.

I didn’t last long in my hotel. I’d been itching to pop over the Hernando de Soto bridge into Arkansas, so I could add another state to my “been there” list. It was now going on 4pm and so I got in my car and made the quick trip over the Mississippi. Oh yeah, did I mention I’m afraid of heights? The bridge soars over the river at dizzying heights, giving you the sensation of flying. As a kid, I used to amuse my parents to no end whenever we’d cross a bridge. Whenever I’d see one approaching, I’d yell “duck!” would crouch down and cover my head. My parents thought this was hilarious but I was sincerely scared of heights. So I tried to ignore the woozy feeling in my stomach and concentrate on keeping the car operable, impressed with the sight of the great river below. Once in Arkansas, I drove off the highway and had a look around, noted the farmy landscape, with no hint of Appalachian or Smoky mountains in view, just plain flat.

Back in Memphis and time for dinner, I walked four blocks from my hotel to the Flying Fish restaurant on 2nd Street, where I slurped down some fabulous fish tacos. Emerging onto the sidewalk over-stuffed, I walked back to Beale Street. I wanted more, more, more. I plunked myself down in a courtyard to listen to yet another great band. There was a crowd gathered of about 35 enthusiastic listeners and after awhile, it dawned on me that I was the only white person there. With my blonde hair, blue eyes and pale skin, I’m like Lightbulb Girl. All along though I’d found the people of Memphis to be some of the most genuine, truly friendly, kind people you’ll meet anywhere. Folks seated on the bench near me asked me where I was from and soon others gravitated to the conversation. We swapped stories, enjoying the cool weather and wonderful band. Lots of laughs and smiles, lots of warmth. Just a really great time.

I spied the beginning of a beautiful sunset, so I walked the few blocks over to the Mississippi River. There I found a place where I could scamper down to the edge of the water, to the fabled banks of the Mississippi and shot a dozen photos of a spectacular, fiery sunset. Standing there, drinking in the view, I was all alone in what looked to be an abandoned industrial area. I realized going down there alone wasn’t the brightest move on my part, but I was willing to risk it since I’d be leaving the next day and the sight was so stunning. But I was cautious not to let my guard down and soon proved right to be guarded, as I was approached by a couple of ragged guys who appeared to be chemically altered. A normally relatively soft-spoken type, at times like this I use my “big, firm” voice and gave them a hearty “hello, nice night isnt it?” They receded away, mumbling to each other, and I decided it was time to scram before darkness fell and an assertive personality would be worthless for a little blonde chick in the black of night in an unfamiliar town.

Amazing sunset over the Mississippi river in Memphis. Photo by A. La Canfora


Day 5 – Memphis then home

Early dawn, I was trying to sleep in my Hampton Inn hotel room but laid there thinking that this was the last chance I’d have to poke around Memphis before catching my flight home later. Besides, a trip is no time for sleep, you can do that at home! So I rose from my bed, showered and dressed. The plan was to find a diner or some place interesting for breakfast. I soon learned that Memphis is not exactly a town of early-risers. I found a Denny’s, a Starbucks, the ubiquitous Cracker Barrel. But nothing, and I mean nothing else was open for business in downtown Memphis at this hour. After awhile I gave up and headed back to the hotel. I queried the desk clerk about any breakfast joints with character that might be open at this hour but she wrinkled her nose and shook her head, said that if I was willing to wait til 8am, there’d be plenty to choose from. I was famished so I gave up on this plan, grabbed a couple hard-boiled eggs from the breakfast bar and went next door to Starbuck’s for a cappuccino. Back in my room, I packed my bags, with the intention to squeeze in a tour of Sun Studio before dashing to the airport.

 Sun Studio is located in a humble little brick building at a fork in the road, a large hollow-body electric guitar sculpture adorning its exterior. It was only 10am but the place was packed with tourists, most of them elderly. It looked like I was the youngest one in the tour by about 5 years. There were few surprises for me on the tour, as I’m pretty familiar with the legend of Sam Philips and the history of his fabulous studio, but it was wonderful to see the artifacts and to bask in the presence of this shrine to early rock and roll. Some items on display; Elvis’s high school diploma and first music contract; the first microphone he’d used to record; early, monstrous-sized recording equipment, etc. The highlight was getting to stand in the actual studio, where some of the earliest rock and roll singles were recorded. I could’ve hung out there for hours, but I had a plane to catch.

Birthplace of rock & roll. Sun Studio. Photo by A. La Canfora

Then it was on to Memphis International for the ceremonial bequeathing of the rental car back to its agency then a nasty salad for lunch in the terminal. On my flight out of Memphis to my connection at Salt Lake City, I had an interesting seat mate, a 50-something year old man by the name of Joseph. Looking like a taller version of the musician Levon Helm and sounding a bit like him too, with a Southern drawl, he told me he lived with his wife, a teacher, on 20 acres in Hattiesburg, Mississippi. He was taking this flight to visit his son, a smoke jumper for the forest service, out in Idaho. Clad in plaid-flannel and jeans, he had an easy-going, affable personality and wanted to chat. I wasn’t especially happy about this initially as I was very tired and was looking at a long day of travel. I’d been hoping to sleep for the duration of this flight. But I gave up on the idea and we wound up having a nice conversation, lasting nearly the entirety of the 3-hour flight. I learned his story: a high school drop-out, he’d gone into the Navy where he’d become an electrician. Once out, he’d married young and since he had kids to support he enrolled in a technical school and became an electrical engineer. The pay was good so he was able to buy land and retire young. What made his job pay so well, he said, was the fact that he’d done long stints working in the oil fields of Saudi Arabia, Iraq and Dubai, a region of the world he came to loathe. While he appreciated the pay and being his own boss, he said that if you dared utter anything negative about the country you were in, you’d get your throat slit; that the level of violence day in, day out was unreal. Joseph and I discovered we both shared a mutual fondness for documentaries, history and archaeology, so we had some common ground. We talked about movies, and he even dared ask my view points on religion and God. I winced and thought “oh boy, here we go…” But while he was religious and I’m most certainly not, we were both delighted to find that we have a mutual respect for others believing however they pleased. He was willing to hear me out and I was willing to hear him out and it was all very pleasant and civil, even humorous, no hint of rancor or condescension on either of our parts. The plane landed, we said our goodbyes, wished each other well.

Now I had a four-hour layover in Salt Lake City. If it’d been a little longer, I’d have left the airport to have a look around, but by the time I’d gotten off the plane and made my way to the gate, my time had already whittled down to 3 hours. So I used it to eat dinner (sushi), read and to type up thoughts about my trip. So I’ll conclude the story of my Great Southern Excursion with my entry from the SLC airport:

Here I am on a layover at Salt Lake City, with a chance to collect my breath and thoughts. I had steeled myself for the fact that this might be a grueling trip. The word “travel” is derived from “travail,” after all. But overall my trip couldn’t have gone smoother. There were some minor hiccups, the worse being an argument with my rental car provider, Avis. Otherwise, the trip went suspiciously well. Little went wrong and the things that did were relatively minor or things that could not have been helped (having to drive in stormy weather or missing an off-ramp, etc…). This was unequivocally one of the best trips of my life. It’s funny, even though I was traveling solo, I rarely felt alone. People (and by “people,” I mean mostly men) gravitate towards me and chat away. Something about me makes me approachable. Maybe with my shiny, yellow hair I’m like a lighthouse, a beacon in the night. Anyway, I shouldn’t question it, whatever “it” is. Maybe it’s that people picked up on the fact that I was having a blast and wanted in on it. Even here at the airport, where I managed to find a quiet corner, away from the obnoxious TVs tuned to CNN blasting Sarah Palin’s borderline screech there are still people (uh, “men”) drifting over to me, asking occasional questions, smiling and saying “hi.” But I felt safe throughout this trip (most of the time), un-harassed, un-hurried (for the most part). I had wonderful luck with all my hotel rooms. Clean, functional, well-priced. The airline didn’t lose my luggage. I didn’t come down with any viruses. And I’ve never encountered so many genuinely kind people on one trip. I ran into only a couple of sourpusses (at Lee’s chapel, or the occasional a-hole who cuts you off on the road). I got to visit with some old friends before the start of the trip in Charlottesville, including my ex-husband/still friend and our miracle kitty, Sigh, survivor of epilepsy.

I think a good measure of a trip is whether or not it changes you, leaves an indelible print and this trip definitely did that. Also, I’d had an epiphany and realized that I’ve come to the end of this particular phase of my life and am now entering a new one. I’m excited, optimistic and hopeful for the future in a way I haven’t been in years.

November 15, 2010






To Be Venturesome…

Venturesome. It’s a mouthful and a trait that’s served me well. Today I was remembering how, when I was around 11 years old, one sunny, Saturday afternoon, I called out to my mom in the other room that I was going to go ride my bike to the park. In my hometown of Huntington Beach, California, there is a 343 acre natural oasis called Central Park. Lush with foliage, towering trees, ponds and lakes, it serves to break up the monotony of concrete beige walls that surround tract after tract of suburban housing in the area. Once at the park, I idly cycled down the asphalt path. After a few minutes, I spotted a group of people ranging in age playing volleyball. They appeared settled in for the day, with a full spread on the picnic table and blankets laid out for lolling on. A family outing, presumably. Not knowing any better, I leapt off my bike, dumped it on the grass, ran up to them and said, “can I play?” I was a lanky, agile tomboy at that age and athletic, had won ribbons and trophies in track and field, basketball, softball, etc. Bemused, they shrugged, said, “sure.” My new friends soon realized I was good at volleyball and made me feel welcomed.

Hours passed and I played with vigor, slurping down the soda and chips they offered me, laughing, joking, getting sunburned. When I realized the sun was low in the sky and a chill had crept into the breeze, I told them I’d better get going. We said cheery goodbyes and I biked home. I strolled through the front door to the sight of my waiting parents. “Where have you been all this time?!” my mom cried out. I said that I’d been playing volleyball. “With who?!” they asked. I explained that it was a bunch of random people I didn’t know. They looked aghast but I didn’t see what the fuss was all about. I told them I had a great time and that they gave me snacks. My folks shook their heads and looked at each other. “She’s your kid,” Mom said to Dad. “No, she’s your kid,” Dad deadpanned.

It was this same streak that compelled me to drive up Pacific Coast highway with my then-boyfriend when I was 18, from Huntington Beach all the way to Seattle. To hop a train and travel solo cross country when I was 21; that lead me to relocate to Ireland temporarily when I was 26; that moved me to lease a rustic, hundred-year old cabin at 7000 feet in the San Bernardino mountains and live the life of a mountain woman for a year. It lead me to seek new vistas, to peek behind walls and hills, to drive lonely back roads all around the U.S. It also emboldened me to take dozens and dozens of solo hikes in the Mojave desert during the five years that I lived in Henderson, Nevada.

One day in April earlier this year, I drove deep into the Mojave within the boundaries of Lake Mead Recreation Area, parked my Chevy and made my way up a steep, rubbly path towards a summit that I’d read would provide a beautiful view. As I neared the top, I veered off the trail, curious to see what was over to my left. I gingerly inched along a narrow ledge, my trusty Canon in my left hand and my right hand bracing me against a wall of rock. I paused and looked out over a surreal, awe-inspiring landscape, of Navajo sandstone crevasses, one after another, reaching towards the jagged peaks of the Muddy mountains. I took a picture. I’m honored to say that this photo now graces the cover of the 2017 state of Nevada geology calendar, published by the NV Bureau of Mines and Geology.




Me and Trump – It’s Personal

In March 2013, a year after moving to the Las Vegas valley, I landed a job at a startup called Ultimate Gaming. UG was about to launch the first ever legal, online poker software in the United States, known as Ultimate Poker. I was happy to be on the ground floor of this unique venture. Never having worked in the tech industry, I wasn’t sure what to expect but I soon came to love it there. I enjoyed my bright, friendly and funny coworkers and the attractive loft warehouse we worked out of, with its polished granite floors, high ceilings with exposed ducts, walls of floor-to-ceiling windows and ergonomic chairs. I loved the break area, with its vending machines stocked with semi-nutritious drinks and snacks, the wide-screen TV, a standing vintage video game and green felt card game tables.We were well-paid, had great medical and vacation benefits and were often provided free meals.

Entrance to Vegas HQ – Photo by A. La Canfora
Employees hard at work, razor scooter transport at the ready – Photo by A. La Canfora

This was no Mickey Mouse venture. Though we were a relatively small operation — the total number of employees in all of our locations combined was around 150 — heavy hitters had been imported from Apple and the world over to create our software. Local Vegas business icons, the Fertitta brothers — our founders — had reportedly invested tens of millions of dollars in UG. We were told that if successful, we’d be a huge boon to the post-recession, stagnant Nevada economy. Governor Sandoval even paid us a visit to cheer us on, slap some backs.

Dana White of UFC, UG’s partner, showed up to give us a loud pep talk. Also pictured CEO Tom Brietling -Photo by A. La Canfora

I settled in, rolled up my sleeves, worked hard. Months passed. I looked forward to going to work each morning. I felt valued and respected. I handled unruly gamblers’ technical issues, beta tested our apps, copyedited our websites and software. I was taught the ins and outs of poker by some of the world’s top pros and developed an appreciation for the game. I even won one of our weekly employee poker tournaments, that included staff from our offices in Oakland, California and NJ. While the work could be stressful and the hours sometimes very long, it was a wonderful day job for an artist/musician/photographer/poet such as myself.

Gleaming glass and granite alongside used UFC wrestling matt decor – Photo by A. La Canfora

Later that year, our CEOs partnered with Donald Trump in anticipation of the legalization of online gambling in New Jersey the following year. UG set up a base of operations inside the Trump Taj Mahal in Atlantic City. We launched our poker software and online games website in NJ, where we struggled amongst a sea of competition.

A NJ promo

In the fall of the following year, things were going well for me and I was given a raise. I was thrilled, envisioning all the ways my life would improve, all the photo junkets I’d take, all the opportunities now open to me. I couldn’t be happier. It was the first job I’d had in many years where I was willing to settle in, stay the course and grow with the company.

View from Vegas HQ, looking towards the Strip, over fake NY – Photo by A. La Canfora

But sinister forces were at work and not long after I received my raise, Trump filed for bankruptcy for the Taj. As a consequence, all of our NJ employees were immediately laid off and our New Jersey operations shut down. A month later came another wave of lay-offs in our Vegas headquarters. I was now out of a job.

Ultimate Gaming closed for good immediately thereafter. To be fair, we most likely would have closed down eventually, as our software was problematic and there was a lot of competition flooding the field. But Donald Trump’s bankruptcy filing hastened our demise and I was blindsided. Had I known that our company was in for eminent demise, I’d have made plans accordingly.

To say I was devastated is putting it mildly. I lost not just my livelihood but my friends. Many of my coworkers had relocated from elsewhere for their jobs – from Silicon Valley, Austin, Vancouver, the UK, Washington, etc. Most of these people fled Vegas and went home after the closing, leaving me alone in Sin City to lick my wounds. I spent that winter unemployed and miserable, scrambling to stave off eviction and to pay my bills on-time.

Now that man who helped me lose a job I loved, who helped plunge me into misery over the 2014 holiday season, is going to be president of the United States. He’s not MY president.

Me and Poetry

I wrote my first song when I was 11 and not long afterwards, my first poem. I can’t recall the name or subject of the poem but I’m sure it was completely narcissistic and terrible. But, then as now, I enjoyed the process of writing poetry – choosing words to paint a scene or mood. It’s like creating a word mosaic. So I kept at it. I was first published in my high school newspaper when I was 15. I remember the gleeful, and yet exposed, feeling I had opening up the pages and seeing those 3 poems there in print. I was a minor celebrity in Ocean View High School’s corridors, at least among those who bothered to glance at the paper. In other words, I became my English teacher’s pet.

Jump ahead to age 24 me, when I started publishing Burnt Toast (which I talk about in more detail in this previous post: Burnt Toast was my poetry zine serving the local community of Huntington Beach, CA. In BT, I published not only my own poems but those of other emerging poets. It was an exciting and fulfilling year and a half made possible by the lack of an internet.

While I continued penning the odd poem here and there through my 20s, it largely took a back seat to songwriting in the late 90s/early 2000s. My musical life at that time was very active, chock full of gigs and recording sessions. Poetry writing became a special occasion desert, a now and again savory crème brûlée as opposed to my regular, meatier musical entrees.

2007, I was married, living in Charlottesville, Virginia. I’d heard about a yearly writing competition sponsored by Writer’s Digest and so, for kicks, decided to enter a batch of song lyrics in the poetry category. I tidied them up first, reorganized them, fluffed them up then tamped them down again to read more like poems and less like dumb rock songs. A few months later, I received a package in the mail. Five certificates – suitable for framing! – with the titles of 5 of my song/poems and the words “honorable mention” beneath them. Oh, how I laughed…

Awards bearing my previous married name.
Awards bearing my previous married name. And toes.

Divorce a few years later freed up more of my time, so I was able to devote more of it to writing poetry. Though I was also still engaged in the making of music, the playing of the odd gig along with making/exhibiting/selling mosaic art AND a newfound love of landscape photography (whoa, slow down there, Angel! Do you got something to prove? Yeah. Whaddya got?)

And here we are now. 2015. So far this year, I’ve got 2 poems slated for publication in literary magazines. Last year, my poem “Borrego Quiet” placed 5th in the annual Grey Sparrow Press writing contest and was subsequently published in Snow Jewel journal. My poem “Venice Beach Array” was published in Poetry Quarterly last spring. And, psst… you want in on a little secret? Both of them started life as songs! In fact, here’s the song version of “Borrego Quiet”- 

Writing poetry is like a game to me – can I say a lot with a minimum of words? Can I move someone in a few short stanzas?  I feel like I’m getting away with something, like I’ve entered the poetry world through the back door, by way of music. I enjoy seeing if I can get a particular poem published in a particular journal, get the editors to fall in love with it. And I have nothing riding on it! This isn’t my career, I can have fun! If a poem gets rejected a few times, I can tweak it and submit again. Why not?


While most poets have gone though rigorous MFA programs, I’ve studied the lyrics of Bob Dylan, Captain Beefheart, Patti Smith, Tom Waits, etc. I do read and love actual poetry. My favorite poets tend to be those who have a lightness to their touch… a twinkle, a sparkle. I read everyone from Emily Dickinson to Shel Silverstein, to Elizabeth Bishop to Rimbaud to Corso to Dorothy Parker to David Gascoyne to obscure, contemporary poets like myself.  I’ll admit there’s a lot of poetry I haven’t been exposed to, especially the classical stuff. But it’s hard to find time when you’re also engaged in a dozen other artistic pursuits and activities and working by day, to boot. But this just gives me something to look forward to exploring.

I tend to steer clear of the formal, the pretentious, the erotic, the horror, the political, the experimental. When I’m at the point where I’m researching magazines to shop a poem around and come across one that says, in regard to what they’re looking for – and this is an actual quote from an actual lit mag’s requirements –  “…the aesthetic shrapnel is a common attitude of visceral humanism. We want to provide a megaphone to howling assertions of human subjectivity,” I have to cover my mouth and suppress a little sick before quickly clicking off the page.

Above all, though, I just don’t want to be bored! And I am terrified of writing boring poetry! Or of writing boring anything! Or being bored! Am I boring you now? Oh God, say it ain’t so!!


A Special Thanksgiving Birthday, or “How I Partied in the Desert with a Rock Star”

On the 31st floor, a gold-plated door, won’t keep out the Lord’s burning rain.-Gram Parsons

Four years ago, on November 25th, I spent a great deal of that day driving and exploring the desert around Joshua Tree, California. Caught up in the throes of post-divorce existential angst, I drove off-road and came to rest in the middle of a wide desert valley-my only companion, the wind. As I stood by my trusty Outlander, with the wind whipping my hair around and the sun warming my face, I marveled at the thought that at that very moment, families all around the country would be sitting down to their Thanksgiving meal, bickering over the volume of the TV (“turn it down!” “But the game’s on!”), passing the stuffing, etc. And here I was in the middle of the Mojave desert, not another human or vehicle anywhere in sight. I distinctly remember thinking, “why am I like this? Why can’t I be normal?” — and there’s even a video to commemorate that moment: — It occurred to me that no one on earth knew where I was. My cellphone had no bars and I was far from the main road. It was all at once exhilarating, liberating and scary. I realized that if I were to get a flat tire or sprain an ankle, I’d be stuck out there. Confess I felt a little thrilled by the danger of it all.

The beautiful Joshua Tree desert...
The beautiful Joshua Tree desert…

That evening I headed to the Joshua Tree Inn, where I was staying the night in my not-at-all-depressing-choice of a room, the Gram Parson’s death suite. I wasn’t a huge fan of his music, thought it was pretty but lacked the edge and bite that I prefer. Mainly I was here at the Inn because it was funky and reasonably priced, a charming Spanish-themed bungalow with rustic appeal, an idyllic courtyard with a zen garden, vines climbing up beams. And I was fascinated by Gram’s story, so out of morbid curiosity, booked the Gram death room, to have a poke around and to be able to brag to my friends that I’d stayed there.

Gram Parsons memorial at the Joshua Tree Inn.
Gram Parsons memorial at the Joshua Tree Inn.

I’d been back at the room for only a little while when there was a knock on my door. The owners, a boho couple around my age, wanted to know if I’d like to join them for the Thanksgiving meal. I was incredibly touched, accepted their offer and soon met up with them in the dining room off the reception area.

Candles and Christmas lights gave the room a warm and cozy atmosphere that I appreciated as I sat at the long wood table with the other diners. There were about a dozen of us in total-a young, obviously newly-wedded German couple, a bunch o’ Brazilians, the proprietor, his wife, a soft-spoken male hippy employee who seemed to talk about chai tea every chance he got (“I make my own! It’s very good. You should try some in the morning.”). We nibbled pie and turkey, strummed guitars, everyone passing around the wine bottle which I declined since I was planning on making the long drive home early the next morning.

After an hour or so, a phone jingled in the reception area. The proprietress jumped up to answer it. In a few minutes, she returned and said breathlessly, “that was Ben Harper. He and his buddy will be here soon.” She went on to explain to everyone there that this was a popular point of pilgrimage for musicians and that they regularly had big names stopping in: Clapton, Robert Plant, Bono, etc. The Brazilians had never heard of Harper so they were filled in quickly before Ben’s arrival.

Ben Harper soon strolled in-tall, dark and handsome, with the uber-confident air of a politician or, uh, a rock star. He was followed by an equally handsome, yet blonder, male. Greetings all around and then Ben took a seat at the table beside me. Inexplicably, everyone in the room suddenly fell silent, awkward and self-conscious in the face of musical royalty. I couldn’t stand it for very long so I turned to Ben and said, “have you had a good Thanksgiving so far?” Leaning back in his chair, glass of wine in hand, clad in a plaid flannel shirt over a t-shirt and jeans, he answered effusively in the positive. He explained that he’d spent Thanksgiving at his mom’s house in Claremont and that he and his friend had decided they felt like doing some camping, so they had driven out here to Joshua Tree to camp overnight, under the stars.

By now everyone at the table had relaxed again and Ben talked in detail about his latest recording project with Charlie Musselwhite. During the conversation, the proprietress blurted out that it was not just Thanksgiving, but my birthday too. Ben seemed genuinely surprised, said, “you’re kidding?!” The memory of Ben Harper leaping to his feet unhesitatingly, stretching his arms out wide toward me, exclaiming “happy birthday!” is one that is permanently etched in my brain. I rose, giggling, and hugged his tall, fit frame, then sat back down to the sight of the other women at the table drilling daggers at me with their eyes (Ha! Sorry, ladies! Get your own rock star…).

Turned out Ben’s pal had never seen the infamous Gram Parsons’ room, so they asked if they could check it out. Of course I said yes. So Ben and his friend took a quick look around, said their goodbyes and then headed out into the chilly desert night for some stargazing.

Later that night, alone in the Gram Parson’s death room, I felt very much alive and content and realized that I couldn’t post about any of this to my friends on Facebook right then, dammit. I didn’t want to blow Ben’s cover. There were only a few campsites open at Joshua Tree and I didn’t want to be responsible for leaking his whereabouts out to the internet. I could just see some rabid, psycho-fan driving out there, Ben waking to them hovering over him, a flashlight shining on his face (“AAAKKK! It really IS you! I love your music!”). So I posted some innocuous pictures of trees and that day’s sunset instead and basked in the secret that I’d had an extra special Thanksgiving birthday.

The "gold-plated door." Me outside Gram's room.
The “gold-plated door” leading into Gram’s room.

iPhonus Interruptus

     The scene: You’re out with a group of friends, hanging in a coffeehouse. You haven’t visited with these people in many months, because you’re all adults and have jobs, kids, whatever. You’ve got your drinks, you’re comfortably seated, you start catching up. But wait! Three of the five friends are engrossed in their iPhones. One by one, they come up for air, blinking, “huh? Did you ask me a question?”
     It’s gotten to the point where I find myself declining invitations to socialize and you can blame smart phones for that. I’m just old enough that I can remember way back when, before the advent of cellphones, when people would gather and the conversation would flow, minds would meld, ideas would be hatched. But I know that if I hang out with people at a coffeehouse or go to dinner nowadays, conversation will not flow, it will happen in fits and spurts as pockets buzz and “oh, it’s my boyfriend, I’d better text him back.”
    There was a time when human beings weren’t all on-call, 24/7.  When people would revel in one another’s company and THAT WAS ENOUGH! Gather ’round kids, let me tell you a tale…
     The year was 1991. I was sitting in the living room of a friend’s apartment in Venice Beach. There were a bunch of us, bohemians all-musicians, writers, painters. As wine flowed, we touched on the topic of the Italian Renaissance. The question was posed: Can a group of people be a catalyst for a modern renaissance? What would be needed for a renaissance to happen? In these pre-internet days, we decided that there’d have to be a hub, where the talent could congregate. I hit on the idea of a magazine as hub and as we lolled on the floor and couches and the night wore on, we talked excitedly of plans to bring about a modern day renaissance.
      In the sober light of morn, we stretched and laughed about our big, deep talk, went our separate ways. But I became obsessed with the idea of starting a magazine that could act as a cultural hub. In 1993, when I had a little extra money to mess around with, I decided it was time to do this thing. I considered calling the magazine “Renaissance” but thought that sounded pretentious. I wanted my zine to be playful and light-hearted and thus, “Burnt Toast” was born. With covers in bold, bright primary colors, featuring artwork, articles and poems, my intention was for BT to be a creative hub for locals in my hometown of Huntington Beach and the surrounding environs. Long story short, Burnt Toast was published bi-monthly for the next year and a half and it was one of the best things I ever did. BT was popular and loved and helped to launch the careers of several writers. There are a few books out there floating around where Burnt Toast is cited in the acknowledgements. Just the look on people’s faces, to have budding poets throw their arms around me, so excited to have their poem published, was the greatest thing ever.
A fan holding his copy of Burnt Toast, the result of a fluid conversation...
A fan holding his copy of Burnt Toast, the result of a fluid conversation…
     See what I mean! All that came from one, incredibly iPhoneless conversation! And while I realize I’m probably sounding like a grumpy old cat lady, fact is, if the people I hang out with are going to spend half that time gazing at their phone, then I’d rather be home, strumming my guitar or ensconced in a book, cuddling Harold and Mod.

     And while you’re at it, get off my lawn! Dagnabbit…